"Baltimore Club is exemplified by its 8/4 beat structure and tempos at or near 130 beats per minute. It combines repetitive, looped vocal snippets similar to ghetto house with humorous vocal samples from television shows like Sanford and Son and Sponge Bob SquarePants, and also includes heavy breakbeats and call and response stanzas similar to those found in the Go-Go music of Washington, D.C.. More often than not, the breakbeats are pulled from two records; Sing Sing by Gaz, and Think by Lyn Collins and James Brown. Much like the rave-era sub-genre of Techno music known as Breakbeat Hardcore, Baltimore Club sounds as if the music was purposefully produced in a hurried manner as the each song is made with a limited pallette of sounds and is based on a similar templates.
Some say Baltimore Breaks grew out of Miami Bass, largely due to Frank Ski working with Luke Skyywalker Records in the early 1990s." (baltimoreclubtracks.com)
Drunk Right Now
K-Swift - I'm a Big Girl Now
Pork Chops and Onion Gravy
Watch Out For The Big Girl
DJ Technics - RadioHead - Everything In It's Right Place (Baltimore Club Remix)
Sorry MZ Jackson (BCM)